Complex States: Art in the Years of Brexit 
28.10.2020 – 31.03.2021
30 Artists, 15 Venues Internationally & Online
Curators: Vassiliki Tzanakou & Catherine Harrington
Website: ARTinTRA
(Image above: Simon Roberts, The Brexit Lexicon, Single channel film)
Zish Alexander | David Bannister | Jan Bowman | Jason deCaires-Taylor | Michael Craig-Martin | Jeremy Deller | Led By Donkeys | Rita Duffy | Ben Jakober and Yannick VU | Stephane Graff | Lara Hoad | Michal Iwanowski | Henry Jones | Anish Kapoor | Keep It Complex | Richard Littler | Hynek Martinec | Stefana McClure | Gil Mualem Doron | Poshfruit | Quiet British Accent | Simon Roberts | Martin Rowson | Bob & Roberta Smith | John Springs | Joe Sweeney | Eliza Tamo | Koen Van Mechelen | Wolfgang Tillmans 
Gallery 46 (London, UK) | TAF (The Art Foundation, Athens, Greece) | Bombay Beach Biennale |(Salton Lake, California, US) | Broumov Monastery (Broumov, Czech Republic) | Labiomista (Genk, Belgium) | Crawford Gallery (Cork, Ireland) |  HALLE 14, (Leipzig, Germany) |Museo Sa Bassa Blanca (Mallorca, Spain)|  VEF Culture Palace (Riga, Latvia) |  Parafin Gallery, (London, UK) | The Container Gallery (Tokyo, Japan) |  Zorrotzaurre Art Work in Progress (ZAWP, Bilbao, Spain) | Irish Cultural Centre (Paris, France) | NW Gallery (Copenhagen, Denmark),  CULTVR (Wales, UK). 
 ‘Complex States’, is an international  exhibition that comes as a timely and urgent response to both the divisive events of ‘Brexit and the ‘Covid-19’ pandemic. With more than 30 international artists, 15 venues and a cutting edge augmented reality platform, the exhibition launches on the 28th of October 2020 and lasts until the 31st of December 2020 when the Brexit process draws to a close. As an exhibition that traverses nations, as well as the physical and virtual, Complex States offers a platform for renewed trans-national dialogue, collaboration and cultural exchange.
Brexit has stirred, divided and disturbed Britons, British residents, their fellow Europeans, and the wider international community. Complex States presents a more holistic portrait of Brexit and takes place in venues internationally in order to heal divides, develop international dialogue and help repair relationships damaged in the wake of the UK’s controversial departure from the EU. Curated by Vassiliki Tzanakou (Director of ARTinTRA) and Catherine Harrington, Complex States platforms critical engagements with Brexit by artists including Jeremy Deller, Jason Decaires-Taylor, Richard Littler, Stephane Graff, Michal Iwanowski, and Rita Duffy. The exhibition brings together a wide selection of media, from paintings and sculpture to videos and installations with the aim of shedding light on the ways artists have responded to Brexit, and the urgent topics of identity, migration, globalisation, social media, and ‘fake news’ that Brexit has provoked.
Employing the latest augmented reality technologies, Tzanakou and Harrington have imaginatively and successfully reconstructed the entire exhibition experience for the viewer. The exhibition was originally planned to be housed in a traditional gallery space in Whitechapel, London. Yet the challenges brought about by the ongoing Covid-19 pandemic required the curators to find an alternate approach through swift, innovative and unique thinking. The result not only deftly negotiates these logistical concerns, but also perfectly reflects the outward-looking and truly global nature of the project. Complex States has developed into a ‘mixed experience exhibition that crosses political and physical boundaries celebrating dialogue, collaboration and cultural exchange,’ states Tzanakou. Selected artworks will be exhibited individually at one of a variety of venues and locations, including London’s Gallery 46, Cork’s Crawford Gallery, and California’s Bombay Beach Biennale. Simultaneously, all artworks in the show are brought together on an online platform featuring cutting-edge augmented reality experiences. This novel platform was built in collaboration with afca., a Swiss software company leading in mixed reality. Here, Tzanakou and Harrington offer a key example of a curatorial practice that responds creatively to the challenges that Covid-19 poses. They also hand a lifeline to other curators through an ambitious new application (Complex States AR App)., enabling curators, artists, galleries and art lovers new to curating to deliver both private or accessible via mobile phone exhibitions. Given the unprecedented precarity of our current lives, this is exactly the kind of curatorial application we need; an app that effortlessly facilitates anyone, anywhere, to experience and share art.
Although the Complex States project and the Brexit processes will come to a close on the 31st of December, the work of its curators is far from finished. Given the far-reaching and enduring impact of both Brexit and Covid-19, Tzanakou and Harrington seek to incorporate more people, artists, and venues into their network and through their AR platform, to allow us all to cross borders and break the boundaries of our realities.
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